Adobe® Photoshop® CC Classroom in a Book® Adobe Team The fastest, easiest, most comprehensive way to learn Adobe Photoshop CC Classroom in a Book®, the best-selling series of hands-on software training workbooks, offers what no other book or training program does-an official training series from Adobe Systems. Conrad Chavez & Andrew Faulkner Classroom in a Book® ˜e o˚cial training workbook from Adobe ˜˚˜˜ release. Book description. The fastest, easiest, most comprehensive way to learn Adobe® Photoshop® CC ( release) Classroom in a Book®, the best-selling series of hands-on software training workbooks, offers what no other book or training program does–an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts.
 
 

Adobe Photoshop CC Classroom in a Book® ( release) [Book].adobe photoshop cc classroom in a book ( release pdf)

 

Поднявшись по мраморным ступенькам, Дэвид подошел к двери, и она точно по волшебству открылась. Привратник проводил его в фойе. – Багаж, сеньор.

 

Adobe photoshop cc 2014 classroom in a book pdf free

 

Learn more how customers reviews work on Amazon. Top reviews Most recent Top reviews. Top reviews from the United States. There was a problem filtering reviews right now. Please try again later. Verified Purchase. The Classroom in a Book Series excels at mixing in advanced tips even in the most basic lessons and this book is no exception.

With a program as big and deep at Photoshop, this book does not attempt to cover every feature, command, filter and technique, but instead covers overall concepts, plus hits on multiple ways to accomplish common tasks and highlights new features.

I taught for two years using the earlier edition Adobe Photoshop CS6 Classroom in a Book and noted a significant number of changes, mostly improvements, in the new Creative Cloud edition of the book. You learn many of the same things as in previous editions, the only real new skills are related to new features of Photoshop but more importantly the lessons themselves are improved. In this new edition it feels like you are not just moving pixels around but making improvements to the photos and layouts.

The first four chapters should probably be completed in order, but after that you can start to pick and choose the topics that look most interesting to you. Most lessons clock in right at an hour, which is ideal for a classroom setting, and shorter than the often 90 minute lessons from before.

If you like the old fashioned physical DVD with the tutorial files you may want to grab the CS6 or older version of the book, the CC editions of the book require that you create an online account to download the lesson files.

The tutorial leaves you feeling like you accomplished something, more so than the Chapter 1 from the CS6 version of the book. A must read, my students left the chapter excited by the opportunities that had been opened. In previous editions, the lesson had the reader change a photo using several of the same tools, but the before and after in this lesson feels more dramatic. Seasoned professionals are likely to learn at least one thing new. This chapter is one of the few that is virtually unchanged from the CS6 edition of the book.

This chapter replaces “Correcting and Enhancing Digital Photographs” from previous editions. Some of the techniques from the old chapter 5 that aren’t covered in thew new chapter 5 are now covered in chapter I found this a good chapter to send students down who may already know the basics, while skipping it for the class as a whole.

The lesson never really pushes the learner to try the bezier tool on their own without a paint-by-numbers guide. This is one of the few chapters that will take more than an hour. CHAPTER 9 The chapter on advanced compositing is fun, slightly cheesy and is well timed in teaching during the fall semester as it has a Halloween theme.

CHAPTERS Dive in to niche uses of Photoshop that are rarely used by most professionals, and not really enough information to become proficient in any of those uses. Take a look through the generous preview on Amazon, you may be pleasantly pleased by what you find. It was for Photoshop 4. If you are a CC subscriber, you already know that the days of back Adobe product roll-outs, every 18 to 24 months are over. Adobe Press a.

We have written, photographed, illustrated, and sometimes even designed three books. We go back to the original little beige Macs and were the first people to place an order for Windows 2. So, with all that background, why do we need to be studying every one of the CIBs for the core CC desktop apps?

We mention all of this, not to boast, but to help you in understanding the importance of this book and the role it plays in the lifelong learning ecosystem. We write quite a few college-level syllabuses a year, but at the core of our Adobe training are the CIB volumes. These learning packages are not just another set of books on Adobe apps. They are carefully crafted to play an integral role in how people train to become certified in Adobe apps. Does that mean that everything you need to know to become a Photoshop expert is within these pages?

That was part of the concept back in , when the first Photoshop CIB was released for version 4. We write these reviews as a journal, which we put together as we study the materials.

These things become our personal quick-glance guides as to the CIB contents. Many of our fellow Adobe Community Professionals write books. In truth, on page of this book is one of our illustrations. Does that mean this whole review is fixed?

Though we were asked to proof one of the new CIBs we were too busy , the first time we ever see a freshly printed CIB is just like everyone else, after it goes into retail distribution. So, in short, the process is clean on both sides of the fence. It tended to throw people into the fire. As we mentioned previously, Photoshop This time, someone got the memo. Why is that? Second, as we mentioned earlier, part of what CIB does is prepare you for your certification. The sole focus is getting the trainees used to how you navigate your way around Ps, use tools, make selections, use menus, and work with panels.

Everyone should breeze through it without trouble. Use these line items as your checklist. Newbies should take all the time they need. Go back and review anything which is not crystal clear to you, before going further. Chapter 2 – Basic Photo Corrections Though learning the basics of photographic retouching are essential Photoshop skills, the Ps CIB team appears to have an excellent strategy to ease trainees into doing actual Ps projects.

In the process this makes the reader even more comfortable with the app, itself. That explains why there are some topics which include overviews of media technology. We are pleased at how the Ps CIB team gradually ramps up the trainees. The same is true of Adobe Bridge. Unfortunately, all Br gets in this CIB is two pages.

Do we fault the CIB team for that? That means you have to determine if you want to move onto the next chapter or explore some, on your own. Our fellow instructors often discuss how some programs are for passing the certification exam and others intend to make trainees proficient, on the job. We want you to do both. Chapter 3 – Working With Selections On the surface, this seems like a chapter you can browse through in less than an hour.

Consider the following points as your checklist. If not, your skill sets have not been honed sufficiently to move onto working with the Magic Wand or Lasso tools. Consider this learning to be like health care, where you have to be the primary and wise decision-maker when it comes to your wellness. Our point is that layers are a very valuable tool set, even if it appears as if they are just some mechanical function of the app.

They open creative opportunities. By way of example, rearranging layers on page 80 seems mundane, but when you get started with the lesson, you see that it has power. Pages take it further with the blend modes. Pages take you into layer styles. The principles in the above mentioned 12 pages have enough coolness in them to build an entire career. This is another topic which a career can be built upon, if you become a talented Photoshop artist.

Chapter 5 – Quick Fixes Quick Fixes is a much-needed new chapter. It makes so much more sense than how it was done in the past. The techniques are empowering. The same is true of correcting distortion and creating depth of field.

Mastering the Content-Aware Move tool, starting on page , is a must-do. Just do it. On page , al photographers should love the new Camera Shake Reduction. That said, most of this chapter is about cool new features which deserved a place at the CIB table. When we look at these lessons on masking and they are the same ones which go back quite a few editions of this CIB, so we have seen them many, many times , we remember how painful masking used to be.

The Ps CIB team, feels you only need 8 pages to learn about masking, as we agree. Chances are, at a marathon pace, you can complete them in 30 minutes. The pages on channels is not a deep dive. In fact, crossing these channels is only about ankle deep water, but it gives you the general concept. Go back and revisit anything that you missed. Chapter 7 – Typographic Design Type has been on board with Photoshop for quite a while, but until CS6 Photoshop 13 , text in Ps was tolerable, at best.

It gets down to business with the aspects of using type as a design element, right away. Still, every step is clear and easy to follow. The results should empower trainees. Chapter 8 – Vector Drawing Techniques While the Photoshop team dramatically corrected typography for CS6, they were equally hard at work with vector art. This was something which never was a smooth experience for anyone jumping back and forth between Photoshop and Illustrator.

We have seen many failed attempts to teach vector art to Photoshop users. It is a significant topic, which requires attention to instructional detail. A book could be devoted to this topic and anyone well versed in Ps should have an initial reaction that 17 pages is a ridiculous attempt at making trainees proficient in this feature set. However, once fully explored, even the most doubtful reviewer will need to admit that the techniques used here are quite impressive and do a thorough job.

If you complete it in an hour and a half, you need to be sure that you understand all of the techniques presented. For accomplished Flash Professional, Illustrator, and InDesign users, the 90 minute estimated time allocation could be possible. All those actors standing together for the movie theatre posters? They were put together in a composite just like web graphics of the entire team of anchors for the morning television news shows.

There are many way to composite elements in Photoshop and this CIB uses some silly horror film examples to teach the basic concepts. Though the examples could be more inspiring, the techniques are spot-on. If Photoshop compositing is in your future, expand your learning experiences on this topic. There are other books and videos on this topic. We started with Fractal Design now Corel Painter 1.

For CS5, the Photoshop team introduced a powerful paint engine and some very serious painting tools at a time when Painter will technically limping along. Painter, however, for the accomplished media technology professional, is a relatively plug-and-play experience, for the basic features of that app.

Users can buy the program, browse through the quick start guide, and begin doing some basic brush strokes in less than a half hour. Unless you are a technically brilliant pre-teen, we doubt anyone can do that with Photoshop painting, especially since no quick start guides exist. The Ps painting UI is something of a kluge of adapted Ps parts, going back to the previous century. Nevertheless, the team, which put together this chapter has mastered concise communication.

Follow these steps and you will have a sense as to what painting is all about: Does this give you the know-how you need to feel comfortable with painting? Fear not; there are many books, videos, and other online learning tools available about Photoshop painting. For now, do a little self-exploration. We highly recommend that you delve into cloning a painting from a photo.

That way no one feels they need years of traditional painting on their resume. Chapter 11 – Editing Video We must confess that when video was introduced to Photoshop, that made no sense to us.

Why not do video in Premiere Pro, instead? No one on the Photoshop team could give us a reason as to why this is a needed feature set. The end users did that for them. As much as cool animations are created in After Effects and dropped into Premiere Pro, people are animating their Photoshop creations. Unfortunately, this Photoshop feature set, much like painting, has had its development stall out, while Adobe concentrates on other Photoshop demands.

At the same time, the timeline features of After Effects, Audition, Flash Professional, Prelude, and Premiere Pro have moved forward with each development cycle, making the Photoshop timeline feel like an unwelcome member of the CC family. Once you register your book, you can access a copy online as well. It’s the same text, but with videos added, showing how to do each step. I usually read each chapter in the paper copy first, then access the online book so I have it on the screen next to my photoshop window.

I will likely go through the book again after I’m all finished just to solidify everything. I have valued everything I have learned thus far. I gave this book 3 stars because there are some parts that are already outdated which can cause any beginner to get lost or wonder why certain things don’t work as shown in the book.

This can create a lot of frustration especially if you’re trying to learn PS as a beginner. At times the book is veg and assumes that you will know what they are talking about when you are given instructions to do something. I think it’s an okay book for what you learn, but overall, this could have been done much better.

This book does provide step-by-step instructions that teach you how to use the different tools in photoshop.

It is clear and concise in some areas and in others, you will find yourself completely lost. It does provide a lot of information for beginners. I love this book. First of all, I have no experience with Photoshop. This book gets down to the basics without a lot of theory. Each exercise is challenging and very interesting. You could pay a learning center thousands of dollars to learn Photoshop and not learn as much as you will from this book. It is great. The book spends more time on telling you how to do the projects the difficult way instead of telling you the short cuts and more logical way to use Photoshop.

Many instances of material not matching the Adobe Photoshop Program. If you want to learn to use Photoshop get a better book, use YouTube and Google. For the record, I’ve never used Photoshop in the past. However this book has been really great at showing me the basics steps by step. I’ve been taking an online course in a local college and this books has been a great teacher. The only drawback backs i found were – The images in the book are really small and In October Photoshop CC got an update which changed some of the functionality.

Either way, great book. One person found this helpful. All the other information is invaluable. The media could not be loaded. I’m an intermediate PS user and this book really helped me with a lot of stuff I wasn’t clear on. I love the exercises and the images you can download and work on with each exercise.

I also use the index a lot when I need help with a specific item. Definitely recommend!! See all reviews. Top reviews from other countries. A disappointment. The book starts well and then disintegrates into a mish-mash of topics that seems to have been written at random and by someone who has little if any teaching experience. I am not a Photoshop novice having first met the product in Photoshop 5.

I have also used “Classroom in a Book” previously. I felt a need to update my understanding of Photoshop and now wish I had gone elsewhere. The essence of teaching is to build on previous work so that the student understands the underlying bases for the chapter s he is reading. The author cannot assume that the student knows something that has not been raised before.

Im not convinced this is the best book to learn from. Doesn’t seem to flow very well and I probably should have read the description a little better before buying. Not a fan of having to down load the class based structure of its teaching. I wanted an instant reference to procedures and how to implicate them. Seems a little too simple for my needs but then again may suit some.

Also the quality of the book its self is quite poor, expected better for the money. Very thorough and because of its layout easy to repeat parts of a lesson. One does need to pay attention memories of a piece of chalk pinging one’s ear accompanied by the cry “pay attention,boy” but it is well worth the effort.

I have learnt a lot and consider that the standard of my finished prints has improved – which is surely the object of the exercise. Report abuse. Love a new book, new pages. This is beautifully designed and informative. Everything you need to learn Photoshop. Fast delivery, great quality and will definitely buy again. Your recently viewed items and featured recommendations. Back to top. Get to Know Us. Make Money with Us. Amazon Payment Products.

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